How To Be Your Own Publicist: A Step-By-Step Guide To Garnering Maximum Attention For Your Band In The Internet Age
2006 Edition
By Ariel Hyatt

PART 2 – GETTING THE WORD OUT


Internet - Getting your online press materials together


I suggest first that you duplicate your finished press kit electronically. Either make a PDF of it that you can send to writers as attachments or open an account with SonicBids and drop all of your information into an EPK.
http://www.sonicbids.com

Your Website
If you don’t already have an updated website that you are proud to show off to the world get one ASAP! Register a memorable name and remember .com is much easier than .net or .org. Your site should include upcoming tour dates, as most people will visit it to find out when you are coming through town. You should also consider keeping a blog to encourage people to really become engaged with you and what you are up to. A great place to create a blog and link to it for free is Blogger.
http://www.blogger.com

TIP: My favorite DIY website building tool was created by my friend Derek Sivers at CD Baby – It’s called Hostbaby and it’s brilliant. A step by step guide will take you through how to set up the ideal site for you and it will only take a few minutes, It’s only $20 per month and includes a place to add your online press kit, email list mailer and dashboard, your concert calendar, streaming audio, guestbook, news/journal, and more.
http://www.hostbaby.com

Another great place to post all of your dates is jambase.com it's free (and open to most genres of music)

Build a MySpace Page ASAP !
Many people are finding out about new music on MySpace.com – It’s free and fun! also – if it appropriate look into Pure Volume as well.
http://www.myspace.com
http://www.purevolume.com

Waleed: My Space and Pure Volume are two wonderful sites to discover like-minded musicians and fans and you can access music instantly on both.

Kristi: MySpace and Sonicbids are the two sites I most highly recommend. For all artists and genres.


Online Outlets


Music Webzines - There are thousands of them out there and many of them publish their e-mail addresses and mailing addresses right on the site so it’s not hard to grab the mailing address. Always e-mail first to find out whom to send the CD to!
A great guide to ‘zines (and many other online outlets to send your music to) is The Indie Bible.
http://www.indiebible.com

Internet Radio Stations – there are new ones cropping up everyday that play every type of music. A great place to start searching is at Live 365.
http://www.Live365.com

Blogs & Audio Blogs have taken over as the new outlets where people learn about new music. There is a nice list of them at Blog Explosion.
http://www.blogexplosion.com

Tour Press - Getting your press materials out
Start planning PR for any tour 6-8 weeks before you hit the road. As soon as a gig is booked, ask the promoter for the club's press list (most clubs have one). Promoters are dependent on this local press to help sell tickets. Have the list faxed or e-mailed to you. Don't be shy - you are working with the promoter to make the show happen and promoters love it when the show is well publicized.

TIP: Ask the promoter which writers like to receive CD's for review and which ones don't need them. Also be sure to ask the promoter who his favorite writers are and which ones will like your style of music.

Kristi: I really enjoy it when the band adds a personal note with their press kit. A short and sweet note is that extra personal touch that really makes a huge difference.

TIP: If the local promoter has a publicist, let that publicist do her job. Pack everything up and mail it to the promoter’s publicist. This publicist knows the writers in their hometown and will be instrumental in helping you.


Locating Publications


If the club does not have a press list, you can easily search pick up The Musician's Atlas They have a great list of publications in all 50 states with names of music editors at each one.
http://www.musiciansatlas.com/

The Indie band manager also has a media list included on their deluxe edition AND you will get great software that will help you organize the follow up (and every other aspect of your career).
http://www.indiebandmanager.com

Both of these guides are packed with a wealth of information on publicity outlets across the country, as well as venues, record stores, radio stations labels, etc.

TIP: With monthly publications if you are not at least six to eight weeks out, don't bother sending to them.


Work Your Angles
Work any angles you may have – Is the lead singer in the band Jewish or Irish Is someone in the band a parent? Most major markets have a Jewish publication, an Irish publication and a parenting magazine and these are great angles to work.

Following Up Is Critical
It is critical that you follow up. As you read in part one of this article 75% of all indie bands never follow up and writers do not include bands that they don’t know if they do not hear from them. When you call the writers understand that you will be leaving messages 90% of the time. Leave short and sweet messages that include your phone number and e-mail address as well as your show date and venue to spark the writer’s memory. 9 times out of 10 writers will not call you back, that;s OK because you have given them everything they will need. If you do get them on the phone, don't be afraid to say which promoter recommended you and always invite them to the show. Don't let all that all that voice mail discourage you. I have placed hundreds of articles, mentions, and photos without ever speaking to the writer.

Waleed: The one piece of advice I would give an indie artist is: Be tactful about your pitches and be mindful that writers have to listen to you as well as thousands of other bands in any given month but also don’t be afraid to reach out – It is journalists job to listen to new music – don’t give up but at the same time don’t bombard – be mindful not only about your career but also about their careers as well.

Persevere
If you are a totally new band and you are worried because a paper did not cover you the first time around, keep sending that paper information every time you play in the area. I have never met a writer that ignores several press kits from the same band sent over and over again. It may take a few tours through in each market, but the more a writer sees you over time, the more likely he will be to write about you.

Have Patience
The first few times you play a market, you may not get any press. PR is a slow moving vehicle that can take time to get results. I have worked with some bands that have needed to go through a market 3-4 times before any results started showing up in the press. When sending materials on repeated occasions, include a refresher blurb to remind the writer of your style. Always include the following information: date, show time, ages, ticket price, club name and address, time, and who is on the bill. Don't make writers hunt around for the event info. Make their job as easy as possible by providing as much information. Also keep in mind that some writers will probably not write about you over and over again. If you hit the same markets continually, a great tactic is to change your postcard every few months.


Bonus Round - More Marketing Elements


Posters
Posters are a great form of PR and they don't have to cost you a fortune. I highly recommend 4/4 color posters and create a space on the bottom where you or the promoter can fill in the show info on the bottom.
The most cost-effective way to make posters is to buy 11x17 colored paper from your local paper store (comes in reams of 500) and run off copies at the copy shop (approx. 7-10 cents each). Make several white copies and include these with your colored posters - this way the promoter can make extras, if needed.

TIP: Make sure you ask the promoters how many posters they would like and send them along with the press kits. After a few days it's best to call and verify that the posters and press materials were received.

Your Street Team
Try to enroll your biggest fan to be the head on your street team. Put this person in charge of reaching out to other fans who will join the street team in each market you visit. In exchange for a few tickets to your show, some merch and some love from you, your field staff will put up posters, hand out fliers and postcards, and talk to their college newspaper about writing a feature or the local radio station about spinning your CD.

TIP: To get a street team started, include a sign up column on your mailing list and a form fill on your web site.

Enjoy this article, print it out, copy it, give it to your friends and good luck spinning your own PR web!


>> BACK TO PART 1


Ariel Hyatt is the President of Ariel Publicity, Artist Relations, and Cyber Promotions, in NYC. She also is the co-founder of Vermillion Media Group

For the past 10 years she has worked closely publicizing a diverse family of touring bands, venues and festivals including The Williamsburg Jazz Festival, The Fox Theatre CO, BB King Blues Club NYC, Nitty Gritty Dirt Band, The Cloud Room, The Clarks, George Clinton & P Funk, Sally Taylor, Leftover Salmon, Particle, Pete Miser and over 1,000 more.



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