In Defense of 1,000 True Fans – I Fight Dragons: 1 Band, 1 Year, & 10,000 New Fans – Part V

I had the honor and pleasure of speaking at NAMM last week about how to make money in the music business. Normally when I speak on panels it’s me and a few other Social Media,  Marketing, and PR peeps but this panel which was curated by Tony Van Veen of CD Baby / Discmakers was exceptional because it included an artist who is making it right now…  Brian Mazzaferri, the fearles leader of Chicago’s own I Fight Dragons had incredible insights to share about was his band is doing now to make money in the brave new world of “The old model isn’t quite totally dead yet, but the new model isn’t really proven either.”He took some time to really delve into his thoughts on the theroy and I’m delighted that he shared his insight with me and I know you will be too:

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Get Paid in 2010

Want Top Increase Your Bottom Line? Focus On Your Fans!

moneymaking1Its here! A whole new Decade :)

Paying attention to this article could be the difference between you making a little money off of your music in the New Year vs. making A LOT of money!

All of the current news surrounding the music business is bad news. Music industry professionals are getting laid off left and right and CD sales continue to drop.

But I think that this is a very exciting time to come up with some alternatives and some offerings for your core fanbase that could make you a lot more money.

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MSi9W Blogging Contest: First Round Contestants Announced!

The First Round Of Contestants Are Announced!

Congratulations to all of you who have opted in to participate in the Music Success In Nine Weeks Blogging Challenge!

Our judges may be watching you and commenting on your progress as you go along!

Follow Them on Twitter!:

http://www.twitter.com/andrealane1

http://www.twitter.com/bigbluebarry

http://www.twitter.com/bfrankemusic

http://www.twitter.com/colinrink

http://twitter.com/fiZbandcom

http://www.twitter.com/freqtheater

http://www.twitter.com/heidihowes

http://www.twitter.com/johnnyonlymusic

http://twitter.com/mossbluffmusic

http://twitter.com/nicolago

http://twitter.com/PerfectPitchMan

http://twitter.com/irainrain

http://www.twitter.com/runawaydorothy

http://twitter.com/symetrk

http://twitter.com/DSP_ROCKS

http://www.twitter.com/seanimler

http://www.twitter.com/IckysEgo

http://www.twitter.com/KGrocks

http://www.twitter.com/mdlstweet

http://www.twitter.com/maurajensen

http://www.twitter.com/snailquail

http://www.twitter.com/tamrahayden

http://www.twitter.com/vikkiflawith

http://www.twitter.com/offering

http://www.twitter.com/monarocks

Here is the first round of participants and links to their blogger challenge blogs:

Andrea Lane

http://www.andrealane.org/

http://andrealane.wordpress.com/

http://www.twitter.com/andrealane1

http://www.facebook.com/pages/Andrea-Lane-and-Freedom-Rocks/74629525840

Big Blue Barry

http://www.bigbluebarry.com/

http://blog.bigbluebarry.com/

http://www.twitter.com/bigbluebarry

http://www.facebook.com/pages/Big-Blue-Barry/216534772174

Brian Franke

http://www.brianfranke.com/

http://blog.myspace.com/bdfranke

http://www.twitter.com/bfrankemusic

http://www.facebook.com/bfranke.music

Colin Rink

http://www.colinrinkmusic.com

http://colinrinkinfo.wordpress.com/

http://www.twitter.com/colinrink

http://www.facebook.com/colinrink

Demimonde Slumber Party

http://www.dspband.com

http://melissalandblog.blogspot.com/

http://twitter.com/DSP_ROCK

Shttp://www.facebook.com/DemimondeSlumberParty

FiZ

http://www.fiZband.com

http://msi9wbloggingcontestentry.blogspot.com

http://twitter.com/fiZbandcom

http://www.facebook.com/home.php?#/pages/Tony-dMattia-fiZ/40578086559? sid=63db5b8e56aee706d50d9a2765aecc88

Frequency Theater

http://www.frequencytheater.com

http://www.frequencytheater.com/blog

http://www.twitter.com/freqtheater

http://www.facebook.com/frequencytheater

Heidi Howes

http://www.heidihowes.com/

http://heidihowes.wordpress.com/

http://www.twitter.com/heidihowes

http://www.facebook.com/heidihowes

Hillbilly Hellcats

http://www.hillbillyhellcats.com

http://hillbillyhellcats.wordpress.com/

http://www.facebook.com/pages/Hillbilly- Hellcats/210370150485

Icky’s Ego

http://www.ickysego.com/

http://www.ickysego.wordpress.com/

http://www.twitter.com/IckysEgo

http://www.facebook.com/celascott

Jeanine Guidry

http://offeringband.com/

http://jeanineguidry.wordpress.com

http://twitter.com/offering

http://facebook.com/jeanineguidry

http://facebook.com/offeringband

Johnny Only

http://www.johnnyonly.com

http://cyberprmastermind.ning.com/profiles/blog/list? user=0qfa9wbzolwlf

http://www.twitter.com/johnnyonlymusic

http://www.facebook.com/pages/Johnny-Only/73577878249? ref=ts

Kelly Greene

http://www.kellygreene.com/

http://www.kellygreenerocks.wordpress.com/

http://www.twitter.com/KGrocks

http://www.facebook.com/kellygreenemusic

Mama’s Dirty Li’l Secret

http://www.mamasdirtylilsecret.com

http://mamasdirtylilsecret.blogspot.com/

http://www.twitter.com/mdlstweet

http://www.facebook.com/people/mamas_dls/559468962

Maura Jensen

http://www.maurajensen.com/

http://blogs.myspace.com/maurajensen

http://www.twitter.com/maurajensen

http://www.facebook.com/maurajensen

Melina Gerges

http://www.melinagerges.com/

http://blog.myspace.com/melinagerges

http://www.facebook.com/pages/Melina-Gerges/155679246430

Mona Sterling

http://www.monasterling.com

http://monasterling.blogspot.com

http://www.twitter.com/monarocks

http://www.facebook.com/mona.sterling

Moss Bluff

http://www.myspace.com/mossbluff

http://blog.myspace.com/mossbluff

http://twitter.com/mossbluffmusic

http://www.facebook.com/people/Moss-Bluff/1000241813

Nicola Gordon

http://nicolagordon.com

http://nicolagordon.com/blog.html

http://twitter.com/nicolago

http://www.facebook.com/nicolag1

Older Than Hours

http://www.sethums.com/

http://www.sethums.com/the-blog/

http:www.twitter.com/sethumsmakesart

http://www.facebook.com/pages/Older-Than-Hours/12969854147

Panache Orchestra

http://www.panacheorchestra.com/

http://fiddlerchick.wordpress.com/

http://www.facebook.com/people/Brenda-K-Spevak- Saito/728435412

The Perfect Pitch Rhythm & Bluesical Band

http://www.perfectpitchbluesical.com/credits.html

http://theperfectpitcher.wordpress.com/

http://twitter.com/PerfectPitchMan

http://www.facebook.com/home.php?#/profile.php? ref=name&id=690994528

Rain Rain

http://www.iloverainrain.com/

http://iheartrainrain.wordpress.com/

http://twitter.com/irainrain

http://www.new.facebook.com/pages/Rain-Rain/214322629743

Rhythma

http://www.rhythma.com

http://www.twitter.com/seanimler

http://www.facebook.com/pages/Rhythma/87429519184

Runaway Dorothy

http://runawaydorothy.com

http://www.runawayd.wordpress.com/

http://www.twitter.com/runawaydorothy

http://www.facebook.com/runawaydorothy

Snail Quail

http://www.snailquail.net/

http://www.afutureinnoise.com

http://www.twitter.com/snailquail

Tamra Hayden

http://www.tamrahayden.com/

http://tamrahayden.wordpress.com/

http://www.twitter.com/tamrahayden

http://www.facebook.com/tamrahayden

Tobias Tinker

http://aeosrecords.com/

http://www.cliffjump.net/

http://twitter.com/symetrk

http://facebook.com/tobiastinker

Vikki Flawith

http://theshysinger-songwriter.blogspot.com/

http://www.vikkiflawith.com/

http://www.twitter.com/vikkiflawith

http://www.facebook.com/vikkiflawith

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SoundCtrl: Video Recap of Artist Disruptor’s Event

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Three Ways to Make Money While Making Music

Playing covers, Playing Sessions & Playing Live

Rick Goetz, is a kindred spirit who has just launched a brand new consulting firm for artists called http://musiciancoaching.com Rick, like me, has spent his entire adult life in the music business and he is DEAD ON when he says: It is essential that you spend your time building your own business rather than asking for help from corporations based on your talent alone.

But how do you build your own business and what specifically works? I got Rick to share a few of his best peals of wisdom I asked him to tell me three things that actually can help an artist begin to build revenue: Playing covers, being a hired gun and working harder on your live show and live show promotion.

Selling $.99 singles isn’t the answer. In fact, I would go so far as to say that in today’s marketplace your single is little more than a business card and your album is just a resume. Both are extraordinarily important but both are just a loss leader for your business. Recorded music is now simply a means of promoting your live show and your songwriting and producing skills. For my $.02 the biggest challenge of being in the music business is staying in the music business without starving.

We can all point to an artist who made it big on a single and blew up over night but what about the majority of musicians out there who have been making a living? From what I have seen and experienced the challenge for the working musician just starting out is finding ways of sustaining himself while building his fan base. Complicating matters even more is that usually means finding a gig that has the flexibility that musicians require, the paycheck that covers their basic needs and if at all possible provides something that will help move their dream career forward at the same time. It’s hard as hell…but this is what I’ve seen work.

1. Covers

It’s easier to fill a room playing songs that people already know. I realize many of you are likely wincing at the notion but remember The Beatles started off as a cover band. Do I really have to drop any other names? It’s a great way to keep your chops up and it really does help to gel a band. Further, it gives the members some more time in with each other with more likelihood of playing successful shows earlier in their career. It also levels the playing field when it comes to the writing process in a group dynamic, which can be challenging at times. If you feel like you are selling out, then sell out only until your own work hits its stride. If you want to make a living selling your own songs to people remember this is just a means to make enough money to put towards that dream while improving your showmanship and range of flexibility on your instrument. Once, when playing a wedding gig, I felt pretty dirty when the cry went up for the Macarena and I delivered as requested but the cash I was paid to play weddings kept my band’s rehearsal space paid for that month.

2. Hired Gun

You want to be as great at your instrument as possible so don’t treat your main band like you would your significant other, cheat like a motherf***ker. Play with anyone and everyone who will have you (provided you are able to carve out enough time to give your main project the time and respect it deserves). You want to play music for a living the trick is to start playing as much as possible with as many people as possible. Be it live or studio just get out there and play. Do it for free at first (if you have to) but get that experience and get as many people to see and hear you play. Every performance and every recording is another trail of breadcrumbs that leads people back to you. Write songs with anyone and everyone you know whose writing you respect. Songwriting is a skill that can be developed just like learning guitar. If you are a vocalist consider voiceovers and do background vocals on as many albums as possible even if it means swallowing your pride and playing second fiddle to someone with less talent than you. I will warn anyone considering this route to be wary, as session cats can become very jaded and cold which ultimately does effect your playing. I don’t know how to advise you against this except to always have a goal for yourself beyond the next paid gig. Being a hired gun is a means to get your music where you want it on as close to your terms as you are able to in the present.

3. Live Shows

Hopefully you have enough people coming down to see you live and if this is not the case and you are not getting repeat customers at your gigs you should re-evaluate your show. Look at everything from stage show to songwriting to delivery and ask a cynical friend who has seen you what needs improving. The cynical need no prompting to offer up the awful truth. Be as communicative as you possibly can be with the venue owners where you play even if it is on amateur night. The simple act of introducing yourself and asking how you can help promote your own show with put you in better favor with whoever books the room. Make sure you have some means of collecting email addresses from those who show up and make sure your name is visible on stage (get a banner and hang it up behind you) and you can’t make a banner make sure to say your band name at least a few times during the set.

If you like what Rick has to say I highly suggest that you spend some time on the phone with him…. You will be one step closer to reaching your dreams with a great new team member to help you along.

http://musiciancoaching.com

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Basic Marketing Principles For Artists – Part 3: Increase the Amount of Money That You Charge

This is the final segment of a 3 part series that was inspired by a mastermind program I am participating in with Ali Brown who is my mentor in the world of online marketing.

Here’s the recap:
There are three ways to increase your income:

1. Increase your number of clients (fans).

2. Increase the frequency of purchase, how often your fans buy from you. (and you’d better have more than just music to sell).

3. Increase the amount of money that you charge.

Increasing the amount of money you charge poses a problem if all you have to sell is music because music is now widely available for free, and people have proven that they are not willing to pay a premium for music.

However, fans will pay plenty of money for experiences, like a great concert or a chance to be a contribution to an artist, a special memento, or wonderful merchandise that really resonates with your fans.

I found two artists that exemplified this strategy – Jeff Krantz who created a BIG payday in one fell swoop and Phil Putnam who has been slowly increasing his bottom line over time.

Jeff Krantz & The $10,000 Song
http://jeffkrantzmusic.com

Just last night I was hanging out with past Cyber PR client who had a fabulous tale to tell. Jeff launched his singer-songwriter career in Second Life where he has managed to build a wonderful fan base.

Through networking online, he met a man who fell in love with his songwriting and became a fan. This man called up my artist and told him that he was having a big anniversary coming up and he wanted a special song written just for his wife. He asked if he would be up for writing and recording a custom song for her.

Realizing that this was a huge opportunity told his fan that he would present him with some options he began to THINK BIG. So he created 3 packages that this man could choose from with three separate prices (depending on how much he wanted to spend / how involved it would be silver, gold and platinum)

Here’s what Jeff wrote about how it worked:

As part of the Gold package that the client chose, I agreed to write  3 different songs (first verse and chorus) for the client to chose from. Once the client selected the song, Ispent 1 week writing 2 full lyrical options for the client to chose from. Once they had decided on the song, Jeff went into his studio and recorded the song, bringing in musicians to fill out the arrangement. He then sent it to a top studio to be mixed and mastered and 2 weeks later he sent the client the finished song (with the masters). “It took about 60 hours in total but it was so much fun and I made almost 10 grand for the effort!”

The point is because he leveraged just ONE relationship with just one fan he managed to make over $10,000 on ONE song.

Had he not been working on increasing his fanbase by networking online, he never would have had this opportunity present itself to him.

Phil Putnam – How To Slowly Increase Your Value
http://www.philputnam.com

Phil (full disclosure: Phil is a Cyber PR client) wrote back with what he did to increase his prices and overall bottom line.

Yes, I have taken a few steps to increase the amounts I can pull in.

1)  The lion’s share of my new price leverage has come from having a very successful music video on MTV/LOGO.  When you get wide exposure like that, people will pay more to hear/see you.

2)  Make longer albums: my latest record “Casualties” has 16 tracks on it, price point at $11.99 on iTunes rather than $9.99, and it sells better than any of my other records.

3)  Raise my concert ticket price/door charge $2-3.  Ex: from $10 to $12 advance/$15 at door.  I’ve seen an increase in my concert attendance since raising the price, and I also book higher quality venues.

In general, I find that being able to raise your price point is a result of two things:

1) Adjusting the perceived value of your work among your listeners.  We set the pace for how people perceive us.  If we say our show is worth $12 instead of $10, people will pay $12.  And then it becomes our job to give them a better show.

2) Working harder to make better music, give better shows, and build better contacts.  It’s simple business: you want better pay, do better work.  Raising price point isn’t a marketing trick.  You have to earn it.

What I like about what Phil did is he increased his momentum at the same time he increased his prices. I’m quite sure that the $2 – $3 he increased his prices by add up to be significant gains over the course of a year or two. Thanks Phil!

But again back to basic principle #1 which Phil leverages excellently: The amount of fans you have, the true fans who are connected and engaged will be the ones who can lead you to bigger opportunities down the line.

Those fans are the ones who will want to engage with you in an authentic way, and purchase whatever it is you are offering even if it costs a few dollars more or give you more than you ever expected because you provide deep value really says something.

I would love to hear how you have managed to add value and get more profit.

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